The Dropbox, WeTransfer, Google Drive, Frame.io, MASV, Box, iCloud Drive, Vimeo, OneDrive, Hightail for filmmakers.
The fastest, cheapest and most reliable way to upload and share your footage. ~4× faster than Dropbox on the same internet, no seat fees for your crew, and every byte verified before we tell you to clear the card.
Same idea: get files from you to everyone else. Except it's built for camera cards, 4K originals and a crew that changes every shoot.
A Mac app that sends a whole shoot over every connection your internet can take, makes 1080p proxies so your team can watch in minutes, verifies every byte, and puts it all behind one private link.
Every clip gets a 1080p proxy rendered on your Mac's media engine (faster than real time) and uploaded before the originals. A 110 Mbps camera file becomes 8 Mbps, so producers are reviewing the shoot while the camera originals are still on their way.
Files are cut into pieces and sent in parallel, with the number of connections tuned live to your connection. On our own line, UploadFilm pushed 23.6 Mbps while a Dropbox upload of the same shoot crawled at 5.6. The Upload speed tab shows which apps are eating your upload, and pauses them until you're done.
Drop a card, an SSD or a folder; folders stay folders. It reads straight from the source, keeps the Mac awake, and lives in your menu bar so a restart doesn't stop it. Pulled the cable? It picks up where it stopped.
Uploading is easy. Knowing every byte arrived is the job. This is what happens to every file.
Each 16 MB piece carries a checksum the storage verifies; anything that changed in transit is rejected and resent. Bad bytes are never kept.
When a file finishes, its fingerprint in the cloud must match the one computed from your disk. Only then is it marked verified.
We only say it when every original is verified, byte for byte. Until then, the app tells you not to format.
A file whose drive disappears waits instead of failing, and resumes the moment the card is back.
The app only reads. It never moves, renames or deletes anything on your drives.
Your footage stays until you delete it. No 7-day links that quietly take a shoot with them.
UploadFilm has an MCP server. Give your agent a share link and it can list folders, find every S-Log3 clip from the B cam, check what's verified, and hand your editor direct download links.
claude mcp add uploadfilm \ --transport http https://uploadfilm.com/api/mcp > Which clips from Day 1 are B cam, and are they safe to clear off the card?
| UploadFilm | Dropbox | WeTransfer | Google Drive | Frame.io | MASV | |
|---|---|---|---|---|---|---|
| Upload speed, same shoot, our line | 23.6 Mbps | 5.6 Mbps | Not tested yet | Not tested yet | Not tested yet | Not tested yet |
| Team watches while it uploads | Proxies go first | Once each original lands | After the whole send | Once each original lands | Once each original lands | After the whole send |
| Verifies every original, then says “safe to clear the card” | ✓ | — | — | — | — | — |
| You pay for | Storage | Every seat | Every seat | Every seat | Every seat | Every GB sent |
| Links and footage expire | Never | Never | Yes, by default | Never | Never | Yes, by default |
Everyone else charges per person. We charge for terabytes, so the price doesn't move when you invite the editor, the producer and the client.
I'm Jorge. I shoot launch films for startups, and every shoot ended the same way: a card full of 4K, a progress bar, and an editor asking when they'd get the footage. UploadFilm is the tool I wanted on those nights.
Read our story →One plan, sized by terabytes. Unlimited people, projects, links and downloads on every plan. Over your limit, uploads pause; nothing is ever deleted.